Filter Menu Close
2026Lisbon, the WavesPUBLICATION
2026Condominium Gondarém 1982BOOK
2026Robots & CobotsOTHER
2025UOTHER
2025Xpedizione 2025 MeetingPUBLIC PROGRAM
2025Urgeiriça, NelasPUBLICATION
2025A Message from UrgeiriçaPUBLICATION
2025Beyond the Screen and the AtmospherePUBLICATION
2025Volcano HouseBUILDINGS & OBJECTS
2025DIVE-IN: Design in ProjectionBOOK
2025Vida sobre o EstérilPUBLICATION
2024SL ApartamentBUILDINGS & OBJECTS
2024ReservePUBLICATION
2023UrgeiriçaRESEARCH
2024Folhas de Sala (Batalha)REVIEW
2023Torneio de PetroleoPUBLIC PROGRAM
2023DIVE-IN: Design em ProjeçãoPUBLIC PROGRAM
2023Ribeira da Pantanha, UrgeiriçaOTHER
2023Fogo Posto (Diana Policarpo & Odete)REVIEW
2023Seaside Holiday Camp CompetitionBUILDINGS & OBJECTS
2023EM ApartmentBUILDINGS & OBJECTS
2021SR ApartmentBUILDINGS & OBJECTS
2021Problemáticas da Cultura Contemporânea ano IIWORKSHOP & TEACHING
2019Problemáticas da Cultura Contemporânea ano IWORKSHOPS & TEACHING
2023Site-specific WritingWORKSHOPS & TEACHING
2022DigitalNatureOTHER
2023Fights with MonstersPUBLICATION
2023A Huge Platform for DecarbonisationPUBLICATION
2022RefractionsPUBLICATION
2022Lost Zone: Hiking the Dawn of the MetaverseBOOK
2021Limen (Pedro Vaz)REVIEW
2021Office restructuringBUILDINGS & OBJECTS
2021Prelude to an Analysis of Borders, in MarquesPUBLICATION
2020Domestic DustsPUBLICATION
2020The Nuclear in The Ural MontainsPUBLICATION
2019Who's the Savage in our Reservations?PUBLICATION
2019Burying Solid Waste ProblemsPUBLICATION
2019Omega (Yota Ayaan)REVIEW
2019Reversible DeskBUILDINGS & OBJECTS
2018Dirty Paths for a Green MandatePUBLICATION
2018Nos Antrópicos (Eco-Visionaires)REVIEW
2018ROME by Order of AppearancePUBLICATION
2017450 Meters Deep into 1 Million Years SafetyPUBLICATION
2017Building Risk ReservesWORKSHOP & TEACHING
2017Rolling StonesBUILDINGS & OBJECTS
2017Trick Tickling clockBUILDINGS & OBJECTS
2017Keeping in ReserveRESEARCH
2016Panorama Boa VistaREVIEW
2015Pripyat (Nikolaus Geyrhalter)REVIEW
2015Questioning the ReserveOTHER
2015Rooftop IssuePUBLICATION
2015MultimanifestoPUBLICATION
2014MAS and the Reserves of Future CatastropheWORKSHOPS & TEACHING
2013Contested Symmetries & Other PredicamentsPUBLICATION
2012Anti-nuclear Bunkers IIPUBLICATION
2012Pillars of HerculesPUBLICATION
2011Islands of Light and SteelPUBLICATION
2010A Letter to the ZoologistsPUBLICATION
2009Coll()sionRESEARCH
2009Two houses in OneBUILDINGS & OBJECTS
2007ALV HouseBUILDINGS & OBJECTS
2007On the Techno-SublimeRESEARCH
2006Lamp for OutletsBUILDINGS & OBJECTS
2007Armazém do CháBUILDINGS & OBJECTS
2004INVT HouseBUILDINGS & OBJECTS

Joana Rafael is an architect practitioner and Postdoctoral Researcher, specializing in ecological concerns related to pollution and contamination, both indoors and in urban planning. Her research explores the intersections of architecture and urbanism with human geography, environmental studies, and power dynamics, encompassing contemporary culture, media studies, art, and technology. She investigates the materiality and limits of physical infrastructures in relation to Earth's systems and the reciprocal relationships between humans and nature, with a particular focus on radiologically contaminated environments. Joana has taught Contextual Studies and Contemporary Culture-related courses at institutions including ESAP in Porto, ISCE Douro in Penafiel, Central Saint Martins in London, and the University for the Creative Arts in Canterbury. She is a member of CEGOT (Center for Studies in Geography and Spatial Planning) and CEAA (Centro de Estudos Arnaldo Araújo), and a co-founder of REFINERY BOARD. Joana holds a Master of Architecture and Urban Cultures from Metropolis, Barcelona, as well as a Master of Research Architecture and a PhD in Visual Cultures from Goldsmiths, University of London. She also earned a Healthier Materials and Sustainable Building Specialization certificate from Parsons School of Design, The New School. In addition to her academic pursuits, Joana is a certified farmer.

BUILDINGS & OBJECTS About

Rolling Stones

extract
13 minutes 40 seconds

A video essay that explores the Canadian Malartic's open-pit gold mine (from extraction to ore processing and its final disposal), focusing on the contrast between rock time and human terraforming.

extract from Field Notes:
Mining Operations, Abitibi-Témiscamingue, 4th of August 2017
We stand above the tree line, on top of the “waste” rock dump piled at the surface of the Osisko Mining Corporation’s Canadian Malartic open-pit. The lack of vegetation here makes this place look like Mars, a rock glacier or even the outcome of a glacier recession. A large area of forested land has been obliterated. The south of the adjacent town has been relocated. Thousands of acres of land were bulldozed. Many cubic miles of rocky material (Porphyry and Greywacke) were drilled and blasted, and tons of ground-rock later hauled to this dump. All, to carve a Dantesque pit into the Earth and gain access to buried gold ores.
Since 2005, the first exploration drill holes, a fleet of giant earthmovers running 24/7, 365 days a year have helped extract an average of 150 000 tons of rocks and process circa 50 000 tons of ore daily. The corresponding volumes of mine waste were (and are being) disposed into nearby waste management facilities: rock waste is disposed into this one - on which we stand; the tailings, containing leftover processing toxic chemical – such as cyanide and sulfuric acid – into ponds (that will be) covered and neutralized with non-acid generating thickened tailings. The usual approach to managing mine waste materials (from digging and processing operations) is to collect and contain them at the point of production, treat the wastes and discard them to the land, water, or air.
After the full production rates are reached, the pit will be approximately 3.7 km long, 900 m wide and 410 m deep, twice the double of its current size and will collect rainwater. This dump will build a mountain of 54 m high and 2.5 km long, covering 450 hectares in area that will eventually be covered with soil and vegetation. The tailing ponds, rendered harmless, will allow indigenous trees to be planted. All the equipment will be gone and buildings dismantled. What will remain will be, Osisko announces, a hill and a water reservoir.
To stand here is thus, literally glimpsing the (building of a huge) uncanny.
Regardless of how large or valuable their natural resource endowments and even the future landscape Osisko announces, the mining industry has distorted perceptions about a safe and healthy environment, contributing to the legitimation of a pervasive influence on geomorphological, biological and socio-economic processes of the region as well as in the ancient geological core and Earth’s body. It is not without irony that the word mining in English has a double meaning. It means both “to dig in the earth for treasure” and “to dig under foundations to undermine them”. The reference to the old tactic of tunneling under enemy fortifications to blow them up might as well be still a good reference here. We know that the mining operations can be harnessed, to soften their impact, yet to poke the planet, we know, does not come only with profits.